The Adventures of
Tintin, by Hergé, is a charming comic with many facets. The story “The Blue
Lotus,” may be a children’s comic, but Hergé deals with some very mature issues
throughout the story. Racism had almost always played a large part in
comics throughout the early and middle 20th century, but here the
author decides to confront some of those stereotypes – especially those dealing
with the Chinese – and dispels them. Tintin comes across as a very mature,
clear-sighted boy who is not afraid to go against a person he knows to be in
the wrong, even if that person is an adult. On top of the very “grown up” theme
of cultural ignorance, “The Blue Lotus” focuses on the main character’s
struggle to thwart a drug dealer, further deepening the already rich subject
matter of the narrative. The storyline is anything but a line drawn between Point
A and Point B. There are several plot twists that good investigative stories
demand. The illustrations of the comic are simple, with little or no shading,
bright colors, and easily, simply drawn characters. The backgrounds are
abstracted to a level of easily understood cartoons of the real-life objects
being depicted. That is not to say that the drawings are childish or
unattractive in their simplicity, there are some exceedingly beautiful large
panels, especially those used as establishing shots when new cities were
introduced. The Adventures of Tintin: “The
Blue Lotus,” by Hergé, was a pleasantly surprising reading experience with
even more charm than I expected to encounter in this comic.
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